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Day & Age

Day & Age

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Artist: The Killers
Label: Island Records
Category: Music

List Price: $13.98
Buy New: $5.95
as of 9/4/2010 05:39 CDT details
You Save: $8.03 (57%)



New (38) Used (28) from $4.88

Seller: russpotter1
Rating: 4.0 out of 5 stars 206 reviews
Sales Rank: 1478

Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.5 x 4.9 x 0.4

UPC: 602517872875
EAN: 0602517872875
ASIN: B001FWRZ46

Release Date: November 24, 2008
Availability: Usually ships in 1-2 business days

Tracks:

  • Losing Touch
  • Human
  • Spaceman
  • Joy Ride
  • A Dustland Fairytale
  • This Is Your Life
  • I Can't Stay
  • Neon Tiger
  • The World We Live In
  • Goodnight, Travel Well

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Editorial Reviews:

Album Description
Four years after the release of their landmark debut in 2004, MTV VMA Award-winning, Grammy-nominated, multi-platinum Island Records group The Killers have completed their fourth album - and first new studio album in two years - DAY & AGE, featuring the new single, "Human" debuting worldwide September 22nd, while the digital single will be released September 30th. The new album hits stores November 25th - two days before Thanksgiving.

DAY & AGE was produced by Stuart Price, a key figure in electronic music (Les Rhythmes Digitales) who previously worked with The Killers on "Don't Shoot Me Santa," their 2007 Christmas single; as well as music on their 2007 compilation, Sawdust. Over the past five years, Price has worked as a producer, mixer, programmer, and keyboardist, including The Killers' "Mr Brightside" remix which was Grammy Nominated.

The Killers - Brandon Flowers on vocals and keyboards, guitarist David Keuning, bassist Mark Stoermer, and drummer Ronnie Vannucci - found time to complete their new album while also wrapping up their biggest summer rock festival season in the U.S. and abroad. Historic headlining gigs at England's prestigious Leeds and Reading fests coincided with an appearance on the cover of NME's August 8th issue. Earlier in 2008, the Killers took home top honors for Best Band of the Year and Best Track of the Year ("Tranquilize") at the annual NME Awards USA gala, at the El Rey Theatre in Los Angeles on April 23rd.

DAY & AGE comes one year after the release of Sawdust (November 2007), a 17-song collection of previously unreleased session tracks, B-sides, rarities and one-offs. The album was assembled at a recording studio in New York's Hell's Kitchen, where the Killers worked with Rock And Roll Hall Of Famer Lou Reed two recordings. Two singles and videos were issued: "Shadowplay" (from the motion picture soundtrack of Control, Anton Corbijn's biopic of Ian Curtis), and "Tranquilize".

The Killers' RIAA platinum second album Sam's Town (October 2006) debuted at #2 and spun off two hit singles: the #1 Modern Rock "When You Were Young," nominated for Grammy Awards for Best Rock Song and Best Short Form Music Video; and "Read My Mind," the band's first #1 at Triple-A. Their worldwide 5 million-selling debut Hot Fuss (June 2004) was the longest-running rock album inside the top 50 on the Billboard 200 albums chart for all of 2005, logging 94 weeks on the chart - 53 of those inside the Top 50. The album spun off four solid hit singles - the Grammy-nominated anthem, "Somebody Told Me," the VMA-winning (and Grammy-nominated) "Mr. Brightside," the Modern rock hit "Smile Like You Mean It," and the Grammy-nominated "All These Things That I've Done."

Album Description
Inspiration has never eluded Las Vegas' The Killers, and it's a damn good thing it hasn't, because their 2008 record, their third studio album entitled Day & Age, is full of their finest songs to date. Together with bassist Mark Stoermer, guitarist Dave Keuning, and drummer Ronnie Vannucci, Flowers helped to mold the album into ten songs that work best together as a whole, each individually describing an evolution of the Las Vegas band's sound. "We're always pushing ourselves," says Stoermer, "and there's a lot of diversity here-from anthemic rock to dance songs." Flowers adds: "We felt like Sam's Town was a continuation of Hot Fuss, and we feel like this is a continuation of Sam's Town.'


Customer Reviews:
Showing reviews 1-5 of 206
1 2 3 4 5 6 ...42Next »



5 out of 5 stars The Answer Is ...   August 6, 2010
Ted F. Schmeckpeper (Columbia, Maryland USA)
The question is (of course) "Are we human or ...".

First off, my rating is for Human only, by far the most popular song on this album (and the only one I own). The first time I really listened to the song, (a) I played it about ten times in a row, (b) every time I played it I could hardly keep from weeping, and (c) I immediately thought of Jackson Brown's "For A Dancer". Please listen to that song in conjunction with this one (the version on the album Western Wall by Linda Ronstadt and Emmylou Harris blows me away).

So, the answer. When we are born, we are human. When we die we are dancer. And in between we may be either, both, or neither, depending on who we are, what we have become.



1 out of 5 stars "Are we human . . . or are we dancer?"   June 15, 2010
Rich Latta (Albuquerque, NM - Land of Entitlement)
0 out of 5 found this review helpful

This, the worst lyric of all time, is so excruciatingly stupid and annoying as to render the entire album worthless and unbearable. "Human" is wimpy and catchy enough musically to get stuck in the brain. Before you can stop it, you may find yourself asking this painfully goofy, nonsensical question over and over in your mind. Recommendation: avoid at all costs!


5 out of 5 stars Killers for a new day and age   May 6, 2010
Luke Tuor (San Diego, CA)
It must be hard being The Killers. No matter how good your album is, it always gets compared to your -other- albums. Following in that frame of mind, it can lead one down a very critical path. Because every Killers album is different, unique. So if one album's style seems magical, subsequent albums are almost sure to disappoint in comparison, just for being different. Certainly Day & Age is no Hot Fuss or Sam's Town; or vice versa.

That said, taken as a work unto itself, Day & Age is a fine album. Most music works tend to have one or two solid tracks, and the rest is filler - even for those who happen to like that album's style of music. Day & Age, and indeed all Killers albums, are not that way. If you like the singles "Human", "Spaceman", "Dustland Faerytale", "World We Live In", then there's a very good chance you'll enjoy the whole album. While some tracks are sure to be more popular or allign to particular tastes more than others, I cannot honestly say there's a bad track on Day & Age. Everything here is worth repeated listens assuming one likes this musical style. Beyond the singles, "This is your Life" and "Neon Tiger" are standout songs, worthy additions to The Killers catalogue.

Having seen the concert "Live at Royal Albert Hall", I will however say, some of these tracks are better live. As is most Killers tracks come to think of it. But that is more an observation than a complaint. There's nothing wrong with sounding better live than on disk, indeed, most artists would kill for that.

Overall, if you can listen to this album without comparing it too much to others The Killers have done, then this is a solid if not wonderful record. If this sound (as exemplified by Spaceman etc) seems too much a departure, then you may want to simply get "The Killers Live at Royal Albert Hall" DVD. It's a wonderful music buy, covers all their albums, and gives a good idea how the various songs fit with one another. The performance at ROH also highlights most tracks on Day & Age, so you may very well find yourself liking D&A after viewing the concert video.



3 out of 5 stars A bit boring   April 21, 2010
Sara Simon
0 out of 1 found this review helpful

I bought this because I am a big fan of their first album, but this one disappoints. The single is great, but everything else I skipped over within the first 30 seconds.


1 out of 5 stars Pitch Problems   April 10, 2010
A. Oliver
0 out of 6 found this review helpful

I've been through ten pages of comments, and thus far no one has mentioned Brendan Flowers's tendency to dip and slide out of tune! I loved Hot Fuss, and was iffy on Sam's Town and now this album, Day and Age, solely because on Hot Fuss, Brendan actually managed to stay in tune 99% of the time. I don't know if it was because his producer before had him on auto-tune, or if he really was paying closer attention to his vocals at the time, or what, but it makes listening to what would be an otherwise pleasantly weird little band turn painful. Whether the lyrics or music are catchy or interesting becomes completely irrelevant if I can't stand listening to the singer because he's slipping out of tune probably once a line.

The only explanation I can think of is that all these positive reviews they get are from people who are tone deaf, or who are at least capable of ignoring such terribly out of tune singers....


Showing reviews 1-5 of 206
1 2 3 4 5 6 ...42Next »


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